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更新时间：2024-06-02 20:45
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1936年6月，红军长征胜利后，红四方面军主力奉中央军委命令西渡黄河作战，这就是赫赫有名的西路军。沿途敌兵疯狂围堵，连日不断，茫茫戈壁，天寒地冻。1937年1月，筚路蓝缕的西路军第五军、九军和三十军历经艰苦，攻占了高台、临泽等据点。而这次具有重要意义的胜利到来同时，也意味着最终的生死血战拉开大幕。时任国民党第二方区司令官兼青海省主席马步芳，是只手遮天、狡猾狠毒的一方霸主。他派出奇兵将临泽等地分隔包围。历经八昼夜拼杀，红军所在的高台失守，马步芳旋即对红军展开疯狂的围剿和血腥屠杀。 在此危亡时刻，秦基伟临危受命，带领着红军最后的数百人抵死突围……
长篇影评
1 ) 化作星辰伴随着你——《惊沙》主题曲
西路军征战河西，太惨烈。想二十年前，我还去过高台，可惜年少不识愁滋味，不懂得西路军的历史，更不知道长征后的外祖父跟着徐向前的西路军就蹒跚在河西走廊，九死一生！
角色塑造和故事情节比刚看的《歼十出击》要好很多，但战斗场面的细节还是很有问题，烟火、特效、战术动作、子弹供应——其实开篇都说了，韩为了搞到两三千发子弹，不慎上了马匪的当，使几名红军牺牲，差点儿受处分，可见西路军的捉襟见肘。但是双方一开火，机动性极强的马家军也没携重武器，秦基伟部倒还有几挺重机枪，却到处是火药炸点。这是国产战争片的通病。
片尾歌功颂德意味太明显。不过，无数先烈的奋不顾身，太值得今天去倍加珍惜。
票价只十元。我几乎包场，这是最悲哀的。
片中插曲配乐是关峡的《轨道》，熟稔，激动。钢铁的意志钢铁汉，百战百胜美名传。
主题曲更动人。《化作星辰伴随着你》一出，默默泪流。
----------
昨天的风 昨天的雨
昨天血染的戈壁
今天的天 今天的地
今天高扬的国旗
不要说我已倒下
看不到黎明的晨曦
不要说我已离去
听不到胜利的乐曲
啊 我看到了 你已傲然站起
啊 我听到了 你在自由呼吸
来 来 来 来 来吧
来 来 来 来 来吧
我们集合 我们集合
我们集合 我们集合
去参加祖国生日的贺礼
来 来 来 来 来吧
来 来 来 来 来吧
我们出发 我们出发
我们出发 我们出发
铿锵的脚步 铿锵的脚步
铿锵的脚步 铿锵的脚步
惊天撼地 惊天撼地
昨天的风 昨天的雨
昨天血染的戈壁
今天的天 今天的地
今天高扬的国旗
亲爱的 我不会倒下
化作星辰伴随着你
亲爱的 我绝不离去
永远守卫你精神的高地
啊 我看到了 你正傲然崛起
啊 我听到了 你在长空搏击
来 来 来 来 来吧
来 来 来 来 来吧
我们集合 我们集合
我们集合 我们集合
铸成祖国刚健的躯体
来 来 来 来 来吧
来 来 来 来 来吧
我们出发 我们出发
我们出发 我们出发
像惊沙呼啸 像惊沙呼啸
像惊沙呼啸 像惊沙呼啸
狂飙万里 狂飙万里
角色塑造和故事情节比刚看的《歼十出击》要好很多，但战斗场面的细节还是很有问题，烟火、特效、战术动作、子弹供应——其实开篇都说了，韩为了搞到两三千发子弹，不慎上了马匪的当，使几名红军牺牲，差点儿受处分，可见西路军的捉襟见肘。但是双方一开火，机动性极强的马家军也没携重武器，秦基伟部倒还有几挺重机枪，却到处是火药炸点。这是国产战争片的通病。
片尾歌功颂德意味太明显。不过，无数先烈的奋不顾身，太值得今天去倍加珍惜。
票价只十元。我几乎包场，这是最悲哀的。
片中插曲配乐是关峡的《轨道》，熟稔，激动。钢铁的意志钢铁汉，百战百胜美名传。
主题曲更动人。《化作星辰伴随着你》一出，默默泪流。
----------
昨天的风 昨天的雨
昨天血染的戈壁
今天的天 今天的地
今天高扬的国旗
不要说我已倒下
看不到黎明的晨曦
不要说我已离去
听不到胜利的乐曲
啊 我看到了 你已傲然站起
啊 我听到了 你在自由呼吸
来 来 来 来 来吧
来 来 来 来 来吧
我们集合 我们集合
我们集合 我们集合
去参加祖国生日的贺礼
来 来 来 来 来吧
来 来 来 来 来吧
我们出发 我们出发
我们出发 我们出发
铿锵的脚步 铿锵的脚步
铿锵的脚步 铿锵的脚步
惊天撼地 惊天撼地
昨天的风 昨天的雨
昨天血染的戈壁
今天的天 今天的地
今天高扬的国旗
亲爱的 我不会倒下
化作星辰伴随着你
亲爱的 我绝不离去
永远守卫你精神的高地
啊 我看到了 你正傲然崛起
啊 我听到了 你在长空搏击
来 来 来 来 来吧
来 来 来 来 来吧
我们集合 我们集合
我们集合 我们集合
铸成祖国刚健的躯体
来 来 来 来 来吧
来 来 来 来 来吧
我们出发 我们出发
我们出发 我们出发
像惊沙呼啸 像惊沙呼啸
像惊沙呼啸 像惊沙呼啸
狂飙万里 狂飙万里
2 ) 我的影评作业~
The Victory Is By No Means Accidental
A review of the film JING SHA
By Veronica
The film Jing Sha was quite heart-shaking. It was adapted from an authentic historical event.The film describes the story of Red Army Western Expenditure, and portrays several distinctive characters. The battle between Kuomintang and the Red Army is stirring, and the stark contrast shown in this film is also shocking.
The whole film was structured on the basis of a stark contrast between the two forces.
Their attitude towards war was enormously different. At the beginning of the film, the head of Kuomintang army forced his soldiers to fight, using carrot and stick. He promised to give them whatever they want while executed the soldiers who defected or withdrew by shooting as a warning to others. For the soldiers in the Red Army, the situation was just the opposite. They wanted to stay at the warfront and fought until the last. They chose to stay even being forced to leave. When their lives were at stake, they put others’ interest first and cared little about themselves. The doctor put himself in danger saving the patients; the pregnant woman preferred to die fighting rather than leave. The wounded, the women, and even the children fought until the last moments of their lives.
Second, the contrast manifested in the combat equipments. The Kuomintang army used state-of-the-art combat equipments, and they ate well and drank well. But for the soldiers in the Red Army, they ate barks and grass roots. They didn’t even have enough guns and bullets. Bricks and stones were all their weapons. When all the munitions ran out, they pick ed up broadswords and fought hand-in-hand. It was the spirit that keep them fighting. Despite the harsh conditions, the Red Army resisted for over three days and finally broke out of the encirclement, showing their will and combat capability.
The film has successfully depicted several distinctive characters, among which Qin Jiwei impressed us most. His personality was quite full and complex.He was experienced in fighting and rich in war strategies. He showed his composure during the battles and made wise decisions about when to stay and when to leave. He also attended to others, and it killed him to shoot Guifang to death. He was fortunate enough to be the only one to survive and later became one of the generals who witnessed the victory of the Communist party and the foundation of the PRC. Guifang’s husband, Han, was warm-hearted and humorous. Peng was different from other soldiers. He appeared more like an intellectual, who was a little stubbon and conservative. But he recorded the combat with his pen and sacrificed his life. The song he sang shortly before death was really touching and heart-breaking.All the major characters had some characteristics in common: faithful to the army, brave and capable in fighting, and never be afraid of death.
This film is also impressive and worth praising because it successfully depicted several women characters. Gui fang is the most impressive one. She was courageous and capable. She fought against the enemy as men did, even when she was pregnant. As a woman, she regarded the interest of the army as more important than her own family. And the nurse was also bold. Confronting the brutal and savage enemy, she was weak and could do nothing except weeping. But she got the nerve to kill the enemy in fighting against the rape. Even a young girl showed her attendance of others and courage to fight and die. They all sacrificed themselves for the collective interests and more grandly, the ideal of liberation.
The film has its symbolic meaning. By telling the story of Qin Jiwei and other warriors who sacrificed their lives during the combats, the film indicates the difficulties and hardships of establishing a peaceful and prosperous country. While enjoying the life now, we should always remember those who shed blood to pave the way for a better tomorrow.
In terms of the technique of film expression, the three closes-up of Qin Jiwei impress me most. The first came after one wounded soldier said”the wounded are fighting forces in war”, and persuaded him to allow them to stay and fight. After taking a glimpse of all the wounded soldier, tears came into his eyes, and his facial expression was heartbreaking. The second came after he had no choice but to shoot Guifang in case she became the capture and was savagely abused. Tears was in his eyes and we sensed the deep sorrow and hatred in his heart. The last one came after the breaking out of the encirclement. After Pend left, he read the notebook on which the details of the combats had been clearly recorded, and he foresaw that they might never see each other again. Tears appeared in his eyes. He had lost almost all comrade-in-arms, but he knew that he should never surrender and must fight until the last minute of his life. The usage of closes-up focused on his facial expression and indicated his emotions, marking the progress of the story and functioning as symbols of each chapter. The structure was compact.The music was solemn and stirring. It created an atmosphere of combat and sacrifice.
A review of the film JING SHA
By Veronica
The film Jing Sha was quite heart-shaking. It was adapted from an authentic historical event.The film describes the story of Red Army Western Expenditure, and portrays several distinctive characters. The battle between Kuomintang and the Red Army is stirring, and the stark contrast shown in this film is also shocking.
The whole film was structured on the basis of a stark contrast between the two forces.
Their attitude towards war was enormously different. At the beginning of the film, the head of Kuomintang army forced his soldiers to fight, using carrot and stick. He promised to give them whatever they want while executed the soldiers who defected or withdrew by shooting as a warning to others. For the soldiers in the Red Army, the situation was just the opposite. They wanted to stay at the warfront and fought until the last. They chose to stay even being forced to leave. When their lives were at stake, they put others’ interest first and cared little about themselves. The doctor put himself in danger saving the patients; the pregnant woman preferred to die fighting rather than leave. The wounded, the women, and even the children fought until the last moments of their lives.
Second, the contrast manifested in the combat equipments. The Kuomintang army used state-of-the-art combat equipments, and they ate well and drank well. But for the soldiers in the Red Army, they ate barks and grass roots. They didn’t even have enough guns and bullets. Bricks and stones were all their weapons. When all the munitions ran out, they pick ed up broadswords and fought hand-in-hand. It was the spirit that keep them fighting. Despite the harsh conditions, the Red Army resisted for over three days and finally broke out of the encirclement, showing their will and combat capability.
The film has successfully depicted several distinctive characters, among which Qin Jiwei impressed us most. His personality was quite full and complex.He was experienced in fighting and rich in war strategies. He showed his composure during the battles and made wise decisions about when to stay and when to leave. He also attended to others, and it killed him to shoot Guifang to death. He was fortunate enough to be the only one to survive and later became one of the generals who witnessed the victory of the Communist party and the foundation of the PRC. Guifang’s husband, Han, was warm-hearted and humorous. Peng was different from other soldiers. He appeared more like an intellectual, who was a little stubbon and conservative. But he recorded the combat with his pen and sacrificed his life. The song he sang shortly before death was really touching and heart-breaking.All the major characters had some characteristics in common: faithful to the army, brave and capable in fighting, and never be afraid of death.
This film is also impressive and worth praising because it successfully depicted several women characters. Gui fang is the most impressive one. She was courageous and capable. She fought against the enemy as men did, even when she was pregnant. As a woman, she regarded the interest of the army as more important than her own family. And the nurse was also bold. Confronting the brutal and savage enemy, she was weak and could do nothing except weeping. But she got the nerve to kill the enemy in fighting against the rape. Even a young girl showed her attendance of others and courage to fight and die. They all sacrificed themselves for the collective interests and more grandly, the ideal of liberation.
The film has its symbolic meaning. By telling the story of Qin Jiwei and other warriors who sacrificed their lives during the combats, the film indicates the difficulties and hardships of establishing a peaceful and prosperous country. While enjoying the life now, we should always remember those who shed blood to pave the way for a better tomorrow.
In terms of the technique of film expression, the three closes-up of Qin Jiwei impress me most. The first came after one wounded soldier said”the wounded are fighting forces in war”, and persuaded him to allow them to stay and fight. After taking a glimpse of all the wounded soldier, tears came into his eyes, and his facial expression was heartbreaking. The second came after he had no choice but to shoot Guifang in case she became the capture and was savagely abused. Tears was in his eyes and we sensed the deep sorrow and hatred in his heart. The last one came after the breaking out of the encirclement. After Pend left, he read the notebook on which the details of the combats had been clearly recorded, and he foresaw that they might never see each other again. Tears appeared in his eyes. He had lost almost all comrade-in-arms, but he knew that he should never surrender and must fight until the last minute of his life. The usage of closes-up focused on his facial expression and indicated his emotions, marking the progress of the story and functioning as symbols of each chapter. The structure was compact.The music was solemn and stirring. It created an atmosphere of combat and sacrifice.
3 ) 这样的片子还想海外发行吗
主不主旋律不论，主旋律也可能拍得好看的。但这一类片子（非大制作的主旋律片）往往存在“根本就算不上电影”的问题，此片即一典型。情节、台词、表演、摄影、剪辑，弱智到不行。根本就不能用影评的标准去评判它。我看的版本有中英对照字幕，英文还是比较讲究，不是翻译机翻的。难道这样的片子还指望海外发行？费这事弄英文字幕干嘛？
4 ) 马家军是真强悍，红军真艰难
开篇就是马步青对着兵强马壮的部下训话，尕娃们，你们要枪要炮，饿都给你们，饿就要一样，地盘…杀气腾腾，最后那段黑色字幕，二十天后再次战斗，郑义斋牺牲，莫名沉重，“不要说我已离去，听不到胜利的乐曲”伴随着阅兵的画面，催泪，想起先烈的生命和鲜血，对影片么，实话说，还是需要努力让自己沉浸进去看，如果一帮学生看的话，也不排除笑场的可能，我是40块钱包场看得
5 ) 西路军浴血奋战的伟大史诗
这是一场沙漠里的战争，炮火炸开，黄沙扑面，装备精良、人数众多的国民党军队马家军骑着战马从远处袭来，衣着单薄、寡不敌众的西路军战士们英勇迎敌、浴血奋战——电影《惊沙》是一部展现西路军战士伟大革命精神的史诗，宁死不降的西路军顽强抵抗几个月后，最终全军覆没，然而，其精神永存！茫茫的戈壁滩上沙尘飞扬，天空大地为之惊叹、为之感动、为之哭泣。 电影不仅成功塑造了西路军战士的群像，更加重笔墨、突出展现了桂芳、秦基伟两个英雄式的人物性格。 桂芳是整个电影中最有性格的人物，也是塑造最为成功的人物。她性格刚烈、意志坚强，分明一个女儿身的男子；而最让人感慨的是她坚定的革命必胜的信念。战争是男人的事，可是这部片子里，最让人感动的不是男人，却是这个意志坚强的女人。 在西路军与马家军在临泽第一次交锋之后，为了保存实力，上级决定留部分人员与马家军作战，转移敌人注意力，伤员和妇女儿童是主要的撤离对象，而怀了孕的桂芳坚决要留下来与敌人战斗。面对丈夫和总指挥秦基伟（同时也是桂芳革命以来一直跟随的“三哥”）的劝退，坚决不从。桂芳说：“难道留下的，就不能活着出去了？”秦基伟担心战后，桂芳和丈夫有人牺牲，为他们补办一直没有时间办的婚礼。她一把摔了秦基伟递来的盛着酒的碗说，三哥，我从你跟你干革命，多少仗咱们都闯出来了，今天咱们也一样能闯出去！ 战场上，她像个男人一样，举起冲锋枪向敌人扫射。被敌人俘获后，她大声对远处的三哥说“我不能当俘虏，三哥，三哥，快打死我！”被敌人拖走时，血顺着裤腿留下，但桂芳依然是倔强的表情。 事实上，秦基伟是剧中的主角。他冷静、理性，胆大心细，是剧中最有智慧的人。同时，他又和蔼亲切、体恤下属。（不展开叙述了，此处省去N多字。） 除了人物塑造的成功之外，电影另一个成功之处在于宏大叙事中，它对人物之间的感情进行了特写，一起挤羊奶的幺妹和米娃之间的兄妹情，文护士和刘医生之间的战友情……红军队伍中的革命深情，表现得酣畅淋漓，感人肺腑。 然而，剧中仍有一些不足之处。 桂芳是整个电影中最有性格的人物。她的死是剧中的一个高潮，然而，对桂芳这个人物，剧中处理不好的是，由于桂芳性格的过于突出，而桂芳过早的牺牲后，使得后面部分没有了看点。 看到最后，才发现这是一部关于秦基伟将军的人物传记，然而在47年以前的那段历史中，似乎难以看出秦基伟是主要人物，因为在电影的前一个小时的时间里，电影没有集中关注秦基伟个人，而是分散在对西路军群像及桂芳、韩仕宏、老彭、米娃、幺妹等次要人物的刻画。这是一部伟大的西路军浴血奋战的史诗，却不是一部成功的人物传记。
6 ) 《惊沙》：残酷的战争，远去的历史
《惊沙》，这部战争电影讲述的是红军西路军在1937年血战临泽真实历史，红军西路军由徐向前率领，从河西走廊突围与陕北红军会合，这一路浴血奋战长达数月，把持河西走廊的国民党将领马步芳的军队穷追不舍，《惊沙》的故事重点就是展现在临泽的一场突围战斗。这场战斗由当时年仅23岁的红军军官秦基伟指挥，在极端被动的条件下，秦基伟仍然能够率领官兵突出重重包围，展现了红军的顽强与不可战胜。
秦基伟率领的其实是一支后勤部队，在前无增援，后有追兵的情况之下，还要照顾老弱病残孕，这样的情况几乎等于身陷绝境了。但秦基伟没有放弃对于突围的希望，即使在最悲剧的情况之下，仍然能够保持对最后胜利的信心，这或许也是共产党人能够坚持到全国解放的根本原因，不抛弃，也不放弃，即使战死疆场也不举手投降。《惊沙》是红军精神的一种体现，不光是这一场战斗，从南昌起义到抗日战争，再到解放战争，每一场战役都能够看到这种宁死不屈的奋战，国民党军队即使装备精良，给养丰富，但仍然无法打败共产党的军队，是精神这种强大的武器在支撑着他们前进。
战争是残酷的，残酷到一种无法想象的地步，生死在这个时候并不重要，重要的是胜利。怕死的人，往往会最先死去；而勇敢向前的人，往往也会争取到生存的权力。《惊沙》之中，展现了一幕幕战场上的殊死搏斗，影片的战争场面做的很好，爆破、近身肉搏、枪战、夜袭等等场面都十分逼真，这说明在技术上，国内的战争影片已经达到了一定的水准。影片中虽然没有大牌明星，但是场面逼真，情节曲折，所以看点还是足够的。没有经历过战争的人，很难想象到战争的可怕，那种子弹四周飞舞，炸弹遍地开花，敌人蜂拥而至，这种地狱般的场景令人恐惧，但战场上是不容许人害怕的，害怕的人只能是瞬息间被毁灭掉，只用勇敢向前，才能搏杀出一条生路来。
《惊沙》中重点刻画的人物是秦基伟，他建国后曾任国防部长，在年轻时就展现了大将之才，23岁即指挥了这场成功的战斗，指挥更是在祁连山中打游击战多年，是共和国的开国功臣。片中的秦基伟英明果断，对敌情有敏锐的判断力，在关键时刻往往做出最正确的决定，这是战争胜利的关键。影片中比较感人的一幕是秦基伟的妹妹第敌军抓走，但千钧一发的时刻，秦基伟不得不亲手送妹妹上路，因为妹妹被敌人带入军营的话，那更是生不如死，在战场上，任何情况都有可能发生，心软只能是害人害己。《惊沙》这部电影展现的虽然是一段鲜为人知的历史，但这段历史在革命战争中具有一定的代表性，通过这部电影，可以看到红军的坚韧和刚强。
崔汀/文
秦基伟率领的其实是一支后勤部队，在前无增援，后有追兵的情况之下，还要照顾老弱病残孕，这样的情况几乎等于身陷绝境了。但秦基伟没有放弃对于突围的希望，即使在最悲剧的情况之下，仍然能够保持对最后胜利的信心，这或许也是共产党人能够坚持到全国解放的根本原因，不抛弃，也不放弃，即使战死疆场也不举手投降。《惊沙》是红军精神的一种体现，不光是这一场战斗，从南昌起义到抗日战争，再到解放战争，每一场战役都能够看到这种宁死不屈的奋战，国民党军队即使装备精良，给养丰富，但仍然无法打败共产党的军队，是精神这种强大的武器在支撑着他们前进。
战争是残酷的，残酷到一种无法想象的地步，生死在这个时候并不重要，重要的是胜利。怕死的人，往往会最先死去；而勇敢向前的人，往往也会争取到生存的权力。《惊沙》之中，展现了一幕幕战场上的殊死搏斗，影片的战争场面做的很好，爆破、近身肉搏、枪战、夜袭等等场面都十分逼真，这说明在技术上，国内的战争影片已经达到了一定的水准。影片中虽然没有大牌明星，但是场面逼真，情节曲折，所以看点还是足够的。没有经历过战争的人，很难想象到战争的可怕，那种子弹四周飞舞，炸弹遍地开花，敌人蜂拥而至，这种地狱般的场景令人恐惧，但战场上是不容许人害怕的，害怕的人只能是瞬息间被毁灭掉，只用勇敢向前，才能搏杀出一条生路来。
《惊沙》中重点刻画的人物是秦基伟，他建国后曾任国防部长，在年轻时就展现了大将之才，23岁即指挥了这场成功的战斗，指挥更是在祁连山中打游击战多年，是共和国的开国功臣。片中的秦基伟英明果断，对敌情有敏锐的判断力，在关键时刻往往做出最正确的决定，这是战争胜利的关键。影片中比较感人的一幕是秦基伟的妹妹第敌军抓走，但千钧一发的时刻，秦基伟不得不亲手送妹妹上路，因为妹妹被敌人带入军营的话，那更是生不如死，在战场上，任何情况都有可能发生，心软只能是害人害己。《惊沙》这部电影展现的虽然是一段鲜为人知的历史，但这段历史在革命战争中具有一定的代表性，通过这部电影，可以看到红军的坚韧和刚强。
崔汀/文
主旋律的紧
因为历史问题，西路军始终没被讲述和挖掘过，直到近两年，才终敢于宣传，我只能说这种题材本身就很不讨巧，又很不好拍
真正的悲壮大片，西路军不朽，西路军万岁。能让人看到想哭的电影，真的想要流泪。
眼泪止不住地往下掉
说实话这比《喋血孤城》好看多了，只是结尾有点过分奉承赞扬中共
宏观上刻意回避西路军失败的历史原因甚至历史事实，微观上肆意编造各种战争场面。
cctv6放的……
并非又红又专，带有中国式爷们气概的主旋律片...还是挺激昂的...很用心的一部作品...
此若为烂片，豆瓣就是豆瓣酱。主旋律怎么了？难道这年头主旋律贬义词了？
战争对女孩来说太可怕，看到桂芳倒下的那一刻心里好难受
不被认可的历史尘封在了70年前的荒漠戈壁上
主流中的主流。
惨烈大于感动
这部电影是秦基伟的儿子秦天编剧，却专挑了一段父亲失败的历史
很久没有这么热血的片子了，炫耀IQ炫耀金钱逻辑混乱的所谓欧美大片，低级恶俗垃圾笑料拼凑的所谓贺岁喜剧，歌功颂德的历史事件的流水账似的所谓红色电影，都不如这样一部选择一个历史细节一个感人场景来得更加触动心弦，引人深思。至于很多人表示不爱看不好看，只能说明我们社会太多都是贴着伪红色标
不错
惊。惨。不忍回首。
怎么说呢,1937年就拿着斯登式到处突突着智能追踪子弹的超时空战队
我觉得拍挺好的，不明白现在豆瓣评论各种偏激为哪般，咱客观点行不行
有些地方用力过猛。